Madras High Court stays order clearing Vijay’s Jana Nayagan; reopens censor fight

Home Entertainment Madras High Court stays order clearing Vijay’s Jana Nayagan; reopens censor fight
Madras High Court stays order clearing Vijay’s Jana Nayagan; reopens censor fight
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The Madras High Court on Friday stayed a single judge order that directed the Central Board of Film Certification (CBFC) to immediately grant a U/A certificate to Jana Nayagan, the much-anticipated film starring actor-politician Vijay, reopening a legal battle that now threatens the movie’s release schedule.

A Division Bench headed by Chief Justice Manindra Mohan Shrivastava, with Justice G Arul Murugan, passed the interim stay after hearing an urgent writ appeal filed by the CBFC against the order of Justice P T Asha, who earlier in the day ruled that the censor board’s decision to refer the film to a revising committee was “without jurisdiction”.

The stay means that Justice Asha’s direction to issue the certificate cannot be acted upon for now. The Bench posted the matter for further hearing on January 21, after the Pongal holidays.

The appeal hearing unfolded with unusual intensity and attention, underscoring the stakes involved in a case that sits at the intersection of law, politics, and cinema.

Opening arguments for the CBFC, Additional Solicitor General ARL Sundaresan urged the Division Bench to closely examine the single judge’s order. He said the writ petition filed by KVN Productions LLP on January 6 had been heard the same afternoon, with records called for the next day. According to him, the judgment was pronounced on January 9 without giving the CBFC an opportunity to file a counter-affidavit.

Sundaresan argued that while the production house had only sought a direction to issue a certificate, the single judge had gone further by quashing the CBFC chairperson’s January 6 decision to refer the film to a revising committee – despite there being no such prayer in the petition.

“This letter itself was never challenged,” he said, adding that no writ of certiorari had been sought against the chairperson’s decision.

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Solicitor General Tushar Mehta, appearing for the CBFC, echoed those concerns, arguing that the principles of natural justice had been compromised. He contended that the chairperson was empowered under the Cinematograph Certification Rules to refer a film to a revising committee, and that the single judge could not have “moulded the relief” in the absence of a specific challenge or without allowing the statutory authority time to respond.

Senior advocate Mukul Rohatgi, representing the production house, questioned how a member of the examining committee could effectively become a complainant after the committee had recommended a U/A 16+ certificate. He submitted that the entire certification process had, in substance, concluded by December 29 after the producers complied with all excisions and modifications.

The Bench, however, repeatedly pressed the producers on the issue of urgency.

“How can a producer fix a release date without a certificate in hand?” the Chief Justice asked, observing that courts, like administrative authorities, were also bound to ensure fair opportunity.

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The Chief Justice questioned whether a “false state of urgency” had been created to pressure the court into granting immediate relief. He also asked how the single judge could have directed the CBFC to produce records and passed final orders without affording time to file a counter-affidavit.

Senior advocate Satish Parasaran, appearing for KVN Productions, pointed out that there were communications from the CBFC’s regional office in December indicating that certification would follow once cuts were implemented. The Bench remained unconvinced, noting that until a certificate was formally issued, the producer ought to have waited before announcing a release date.

The Bench formally stayed Justice Asha’s ruling and adjourned the writ appeal to January 21.

Arun Janardhanan is an experienced and authoritative Tamil Nadu correspondent for The Indian Express. Based in the state, his reporting combines ground-level access with long-form clarity, offering readers a nuanced understanding of South India’s political, judicial, and cultural life – work that reflects both depth of expertise and sustained authority. Expertise
Geographic Focus: As Tamil Nadu Correspondent focused on politics, crime, faith and disputes, Janardhanan has been also reporting extensively on Sri Lanka, producing a decade-long body of work on its elections, governance, and the aftermath of the Easter Sunday bombings through detailed stories and interviews. Key Coverage Areas:
State Politics and Governance: Close reporting on the DMK and AIADMK, the emergence of new political actors such as actor Vijay’s TVK, internal party churn, Centre–State tensions, and the role of the Governor. Legal and Judicial Affairs: Consistent coverage of the Madras High Court, including religion-linked disputes and cases involving state authority and civil liberties. Investigations: Deep-dive series on landmark cases and unresolved questions, including the Tirupati encounter and the Rajiv Gandhi assassination, alongside multiple investigative series from Tamil Nadu. Culture, Society, and Crisis: Reporting on cultural organisations, language debates, and disaster coverage—from cyclones to prolonged monsoon emergencies—anchored in on-the-ground detail. His reporting has been recognised with the Ramnath Goenka Award for Excellence in Journalism. Beyond journalism, Janardhanan is also a screenwriter; his Malayalam feature film Aarkkariyam was released in 2021. … Read More

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